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If you have double system audio, select this option. The multicam audio is based on the first selected clip, all other cameras are muted. This matches the multicam settings to the first selected clip. IMPORTANT NOTE: When working with clips of different frame sizes, set Sequence Preset to Automatic. Always build the multicam clip to match the frame size of the largest clip inside it. This dialog allows you to specify the parameters of the multicam clip. (Remember, you can rename clips in Premiere.) Premiere selects clips in alpha-numeric order to build in the list and all is good. NOTE: You can also put all your multicam clips in a folder, select the folder, then choose Clip > Create Multicam Source Sequence. What this does is create a multicam sequence that exactly matches the settings of first clip, then places all the other clips, centered in the frame, at their native frame size. Next, choose Clip > Create Multicam Source Sequence. ![]() Here’s the second KEY TIP: Go to the Project panel and select the clip with the largest frame size FIRST! Then select the rest of your clips. (The differences in frame rate won’t matter for this example, because I’m not actually editing for this tutorial.) Here are my three clips: two are 1080 and one is 4096 x 2304. (Preferences can be changed at any time, and are retained between projects.) So, for multicam editing, set this to None. However, this totally screws up a multicam edit. Go to Preferences > Media and change Default Media Scaling to None.įor normal editing, I recommend setting this to Set to Frame Size. It often makes sense to transcode them into the same codec and frame rate – though not necessarily the same frame size – if your editing gets too sluggish.) (I should stress, though, that it is really helpful to have all clips use the same codec and frame rate. The challenge is when you are building and editing multicam clips with different frame sizes. I’ve used it a lot and enjoy the process. (Think of switching a live show.) If all your clips have the same frame size, frame rate and codec, multicam editing works great. Let me explain.Ī multicam edit is where you are playing and editing multiple clips at the same time. What went wrong? The answer is a preference setting. However last week, when I went back to test this, it didn’t. When I recorded the video, everything worked great. Adobe premiere pro cc version 12 scale to frame size how to#I did a video that showed how to work with different frame sizes in a multicam clip here. How can she create a multicam clip with video of different frame sizes, yet edit them into a 1080 timeline? She is editing a three-camera multicam sequence where two cameras are 1920 x 1080 and the third is 3840 x 2160. I’ve pulled the earlier article and have updated the process here. What I learned from Adobe after the article was published is that the problems were caused by an incorrectly set preference. In essence, many people believe that the two options should have their names switched since it just makes more sense.BIG NOTE: Last week, I wrote about problems editing multicam clips in Premiere. Thus, you would click "scale your clips to frame size" and be able to work faster. So then why would someone want to use this option if it is clearly inferior? An example would be if you were working with 8k footage on an old laptop and you just wanted a faster and smoother playback on Premiere. This keeps the scale at 100% but it reduces the resolution overall. Scale to frame size: resamples/rasterizes the clip to make something like a 5k clip into a 4k clip. Example: if you have a 5k clip in a 4k sequence, this will keep the 5k resolution, but just scale the clip down so that instead of 100%, it is 80%. Adobe premiere pro cc version 12 scale to frame size full#Set to frame size: decreases the scale of the clip while retaining the full resolution. Instead of being forced to watch a lengthy video on it or scroll through a haphazard forum, here's a straightforward answer: I see a lot of people asking what the difference is between these two. ![]()
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